Buch Monografie

Postfeminism and contemporary Hollywood cinema

2013

Weitere Informationen

Einrichtung: Kvinnsam | Göteborg
Mitwirkende: Gwynne, Joel
Müller, Nadine
Jahr: 2013
Maße: 23 cm.
ISBN: 1137306831
List of content:
  • Introduction: postfeminism and contemporary Hollywood cinema / - Joel Gwynne and Nadine Muller --
  • Neo-feminism in-between: female cosmopolitan subjects in contemporary American film / - Ana Moya --
  • Querying postfeminism in Lisa Cholodenko's The Kids Are All Right / - Clara Bradbury-Rance --
  • The slut that wasn't: virginity, (post)feminism and representation in Easy A / - Katherine Farrimond --
  • The Girls of Zeta: sororities, ideal Femininity and the makeover paradigm in The House Bunny / - Joel Gwynne --
  • Ageing appropriately: postfeminist discourses of ageing in contemporary Hollywood / - Imelda Whelehan --
  • Hollywood fatherhood: paternal postfeminism in contemporary popular cinema / - Hanna Hamad --
  • 'Chuck Flick': a genealogy of the postfeminist male singleton / - Benjamin A. Brabon --
  • The chick's 'new hero': (re)constructing masculinity in the postfeminist 'chick flick' / - Amy Burns --
  • Mancaves and cushions: marking masculine and feminine domestic space in postfeminist romantic comedy / - Lauren Jade Thompson --
  • 'We're not making forward progress': postfeminist hypermasculinity in Heat / - Vincent M. Gaine --
  • Towards a new sexual conservatism in postfeminist romantic comedy / - Alexia Bowler --
  • Hell is a teenage girl? postfeminism and contemporary teen horror / - Martin Fradley --
  • 'A new feminist revolution in Hollywood comedy'?: postfeminist discourses and the critical reception of Bridesmaids / - Helen Warner --
  • Blood sweat and tears: women, sport and Hollywood / - Katharina Lindner.
  • Sprache: Englisch
    Beschreibung:
    "Much ground has been covered in terms of (post)feminist analyses of popular film and television, and box office successes such as Bridget Jones's Diary and television phenomena such as Sex and the City have become established parts of the now canonical critical texts on postfeminism, media and popular culture. By analyzing the negotiation of femininities and masculinities within contemporary Hollywood cinema, by charting trends in film production and media reception, and by focusing on the largely neglected intersections between postfeminism and queer theory, Postfeminism and Contemporary Hollywood Cinema presents diverse interrogations of popular cinema. The chapters in this collection position contemporary commercial production as a space where female empowerment is both celebrated and undermined, and signal the necessity of further debate surrounding the formation of gender identity in postmillennial Hollywood cinema. "-- Provided by publisher.
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