Artikel
The performative body of Marina Abramovic : rerelating (in) time and space
Verfasst von:
Demaria, Cristina
in:
The European journal of women's studies
London:
2004
,
295 - 307 S.
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Weitere Informationen
| Einrichtung: | Ariadne | Wien |
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| Verfasst von: | Demaria, Cristina |
| In: | The European journal of women's studies |
| Jahr: | 2004 |
| Sprache: | Deutsch |
| Beschreibung: | |
| Can a performance be analysed as a textual practice? Starting from this question, the article tries to describe the "effets du sens" (meaning effects) of some of the work of Marina Abramovic, a Serbian performer and visual artist. From the 1970s when the so-called body art emerged as a visual genre, offering the artist's body as a naked site of inscription, up to the present, when performing has become a more playful and direct transmission of energy between the doer and the viewer, the work of Abramovic represents an effective and powerful example of the body-as-a-text in which subjectivity can be re-expressed and reinvented through the transformations of the relation between time and space. In the strong relationship created between the performer and the audience, what is enacted is a translatipn-transduction of material and cognitive meanings that results in a redefinition of a subjective and, simultaneously, collective experience of identity. | |
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